Vince is an immersive engineer based in Brooklyn, NY. He specializes in interactive lighting installations.
Mark Ramos is a Brooklyn-based new media artist. Mark makes fragile post-colonial technology using web/software programming, physical computing (using computers to sense and react to the physical world), and digital sculpture/fabrication to create interactive work that facilitate encounters with our own uncertain digital futures. Mark is deeply committed to the ethos of open source: the free sharing of information and data + creative uses of technology. Mark has exhibited his work and lectured widely both online and AFK including as part of Rhizome's First Look: New Art Online with the New Museum of Contemporary Art in NYC, Yerba Buena Center for the Arts in San Francisco, Long March Space in Beijing, M+ Museum in Hong Kong, HEK-Basel, Switzerland (Haus der Elektronischen Künste), Arebyte Gallery in London, and at the Peter Weibel Institute for Digital Culture in Vienna. He teaches Art after the Internet in the MFA Fine Arts Department at the School of Visual Arts, Form and Code at Pratt Institute, as well as Web Programming and Computer Principles in the Computer Science Department at NYU. You can also find him playing drums for various bands in Brooklyn.
Jonah Brucker-Cohen is an artist, writer, and Associate Professor at Lehman College / CUNY. He received his Ph.D. from Trinity College Dublin and his artwork has been exhibited at venues such as SFMOMA, Canadian Museum of Contemporary Art, MOMA, ICA London, Whitney Museum of American Art, Palais du Tokyo, Tate Modern, Ars Electronica, Transmediale, and more. Two of his artworks, "BumpList" and "America's Got No Talent" are in the permanent collection of the Whitney Museum of American Art. His writing has appeared in publications such as WIRED and Make and his Scrapyard Challenge workshops have been held in over 15 countries on 5 continents.
I'm a network artist, sound designer, and community educator with a current fixation on "the public". I am constantly working with my hands, and a fierce advocate of doing whatever you want.
Jiatong Yao’s art practice bridges the realms of art, technology and culture, focusing on mediums such as XR, 3D, AI, and interactive computing. Her work explores the evolving dialogue between the modern self and technological evolution, crafting immersive experiences that intertwine humanity with the digital age. With a background in computer science and technical artistry, Jiatong leverages her expertise to create innovative, thought-provoking projects that reflect on how information technology transforms society and lifestyles.
Vivian Ngiam is a Singaporean interactive media artist based in Brooklyn, NY, where she explores the intersection of technology, empathy, and social impact. Her work often uses emerging technologies such as AR/VR and AI to create interactive sculptures and immersive experiences that confront social issues, evoke empathy and provoke reflection. Ngiam’s artistic practice is a deeply personal journey and is dedicated to using technology as a tool for empowerment. Her work strives to amplify the voices of women, immigrants, minorities, the disabled and underrepresented communities, fostering meaningful dialogue. As both an artist and activist, she believes in the power of art and technology to bring community together. Her projects have been featured in the media for their social and entrepreneurial contributions. She has showcased her work in exhibitions across New York and continues to push the boundaries of interactive storytelling. Ngiam’s work is currently available for commission, and she is open to collaborations.
Moises Sanabria is a Venezuelan-born, Miami-based interdisciplinary artist exploring the convergence of machine philosophy, social media, and memetics through innovative mediums such as AI, conceptual sculpture, and new media installations, aiming to bridge the gap between digital advancement and physical experience.
Jiaqi Lu is a slow learner, a precarious worker, a misfit, and a pattern observer drawn to moments of paradigm shift. Born in the year the term California Ideology was coined, her research and creation critically navigate how neoliberal technologies accelerate cultural stagnation and psychic alienation, while probing possibilities of alternative configurations of humans, technics, and worlds. Having encountered diverse creative sensibilities early on, she continues to work through the steep learning curves of technical know-how and theoretical study.
Fabiola Larios is a Mexican Interdisciplinary Artist based in Miami, in residence at Bakehouse Art Complex. She creates nostalgic net-art at the intersection of glitter, surveillance, identity, and how we perform under digital observation.
I am a Korean international student at NYU Tisch studying Interactive Media Arts and a minor in Physics. Sometimes I design, sometimes engineer, and sometimes draw about humans, technology and the world we live in.
I try to get my computer to surprise me as a coping mechanism for the anxiety of living in a time when people anywhere in the world can ruin our lives by sending messages to our pockets via global megacorporations run by Nazi billionaries
Born in Belgium, Schmrgl juxtaposes beauty with unease, using wit, absurdity and satire to spark conversation around complex social issues such as mental health awareness, female reproductive rights and LGBTQ+ advocacy. Still in the early stages of his career, Schmrgl continually experiments with new techniques and perspectives, consistently pushing the boundaries of his artistic voice.
Nolen Royalty builds experimental internet games focused on bringing strangers together and pushing common technology to its limits. He's best known for the website One Million Checkboxes.
Artist, engineer, and researcher known since 2010 for his work using symbolic elements to invite people into experiences of presence, play, and imagination. Patricio Gonzalez Vivo is a digital alchemist who creates artifacts of contemplation about time and space. Although his medium is primarily light, his work combines technical skills in wood, metal, electricity, and code. He has an experimental tinkering-based practice inspired by the mechanics and aesthetics of mapping instruments, including star maps, compasses, telescopes, and satellites.
Based in Brooklyn, New York, Zharia Shinn's striking collage portraits broaden the context of conversation surrounding the visual representation and empowerment of the African Diaspora through both her personal and commercial projects.